The Good Men Project exclusively presents "Death to the Camera," one of the ten documentary films in the collection The Fruit of Our Labor - Afghan Perspectives in Film. For one week only, the full 20 minute film will be available to watch on their website! The Good...
On Nov. 13 CSFilm attended Northeastern University's B.I.G. Venture Fair, a pilot program sponsored by Northeastern's Career Services and the Center for Research Innovation for the university's Global Entrepreneurship Week. CSFilm joined other start-up and growth...
Follow along with Michael Sheridan's second journal entry from the radio documentary training in Kabul, Afghanistan for the Afghan staff of America Abroad Media (AAM). (The first journal entry can be read here.) Saturday's training reviewed principles of storytelling...
Community Supported Film founder and director Michael Sheridan is currently in Kabul, Afghanistan conducting an intensive 10-day radio documentary training for 6 Afghans, sponsored and organized by America Abroad Media. Follow along with Michael’s journal entry...
[Editor 7/21: CSFilm has removed the last names of Afghans and the images of those still in the country due to the deteriorating security situation.] Congratulation to CSFilm trainee Qasem, whose short film Death to the Camera won the competitive Promotional Award at...
The film and television industry have frequently captured social issues from the perspectives of filmmakers and television producers, who do not necessarily reflect the real situation in a particular place or country, which can lead to the creation of various...
Community Supported Film (CSFilm) amplifies local voices in under- and mis-represented communities so that they can effectively communicate their lived realities through documentary filmmaking.
We believe that if people learn about the world’s challenges from the local perspective they will be better able to demand the right actions from their governments and to support effective humanitarian responses.
Michael Sheridan, Director of CSFilm, on the impact of local perspectives
Excerpt from Haitian filmmaker Bichara Villarson’s Owned and Occupied, part of the Owning Our Future: Haitian Perspectives in Film film collection.
Excerpt from Afghan filmmaker Aqeela’s The Road Above, part of The Fruit of Our Labor: Afghan Perspectives in Film film collection.
These films are made to stimulate dialogue. Here is an excerpt from a New Immigrant and Refugee Visions Screen&Discuss event.
CSFilm wants to help your community tell their stories. Let’s explore how our model of training, filmmaking and public engagement can redefine the public’s understanding of your issues.
Screen&Discuss campaigns inspire new thinking and action among diverse audiences. See documentation from previous events and learn how you can organize your own.
News and views on the people, places and topics of concern to Community Supported Film and our project partners.
Donate and get involved today to support CSFilm’s training, filmmaking and public engagement work.