The House of the Seven Gables, a colonial mansion turned non-profit museum in Salem Massachusetts, will host a New Immigrant and Refugee Visions Screen&Discuss event September 19 6-7pm, in-person.
A year ago today three Afghan families that worked with Community Supported Film (CSFilm) went through a horrific experience at the Kabul airport. They were the 'lucky' ones that made it into the airport and on to planes out of the country. They and tens of thousands...
Night after night (daytime in Afghanistan) I used real-time on-the-ground intelligence information provided by vets and other organizations also working to evacuate people, to try and help guide families around the violent Taliban checkpoints, through the crushing crowds to the 20’ high walls of cement and barbed wire.
The filmmakers that participated in the New Immigrant and Refugee Visions project got together in person on July 30 for the first time since the beginning of COVID. They were joined by volunteers and CSFilm staff alumni who made the 15-week training and 1 year filmmaking project possible.
$44,375 dollars spent on legal and living expenses for Afghans. We need your continued generous support for the Fund for Afghan Evacuation and Resettlement as well as for our new online training program in documentary filmmaking.
The Art Ranger, aka artist Melissa Smedley, produced a podcast on the work and sounds of CSFilm. It includes an interview with CSFilm director, Michael Sheridan, and a sound collage from the films of CSFilm filmmakers and trainees.
Community Supported Film (CSFilm) amplifies local voices in under- and mis-represented communities so that they can effectively communicate their lived realities through documentary filmmaking.
We believe that if people learn about the world’s challenges from the local perspective they will be better able to demand the right actions from their governments and to support effective humanitarian responses.
Michael Sheridan, Director of CSFilm, on the impact of local perspectives
Excerpt from Haitian filmmaker Bichara Villarson’s Owned and Occupied, part of the Owning Our Future: Haitian Perspectives in Film film collection.
Excerpt from Afghan filmmaker Aqeela’s The Road Above, part of The Fruit of Our Labor: Afghan Perspectives in Film film collection.
These films are made to stimulate dialogue. Here is an excerpt from a New Immigrant and Refugee Visions Screen&Discuss event.
CSFilm wants to help your community tell their stories. Let’s explore how our model of training, filmmaking and public engagement can redefine the public’s understanding of your issues.
Screen&Discuss campaigns inspire new thinking and action among diverse audiences. See documentation from previous events and learn how you can organize your own.
News and views on the people, places and topics of concern to Community Supported Film and our project partners.