DVDs Available: Owning Our Future-Haitian Perspectives in Film

January 9, 2016

OOF-HPF DVD CoverOwning Our Future-Haitian Perspectives in Film DVDs are in and they look and sound great! Please support the work of Community Supported Film and our Haitian Filmmakers by buying a copy.

Help Us Out:  Request that your town and/or institution’s library purchase a DVD at the institutional rate!

Please organize screenings and discussions of these important films to raise awareness about Haiti, economic aid and development and how our assistance can help or hurt.

Owning Our Future-Haitian Perspectives in Film is a collection of ten Haitian-made films that provide a unique opportunity to experience Haiti as it is lived by street vendors, business women, artists, farmers and more. Their stories, focusing on the economic and social development challenges faced by Haitians, nourish an understanding of Haiti that goes beyond its man-made and natural disasters.

In the fall of 2014, Community Supported Film in collaboration with Groupe Medialternatif conducted an intensive 5-week documentary filmmaking training. Ten Haitians were selected from 83 applicants. They came with a variety of storytelling backgrounds but little or no experience with filmmaking. Each student produced a documentary short. The results are gathered in this collection.

Watch excerpts online.  Share links with friends.

Endorsements:

“Community Supported Film’s innovative work and creative storytelling allows Haitians to reveal their own reality.” Serge JC Pierre-Louis, President, DuSable Heritage Association, Chicago

“At the heart of it, artists can only really talk from their own experience, so if you want a story about sumthin’ that sumthin’ has got to tell the story itself. And, that’s just what these Haitian storytellers have done – beautifully and powerfully.” Dawn Kramer and Stephen Buck, Artists

“Through these films, Community Supported Film is facilitating a powerful way for citizens – who are not necessarily professional journalists or filmmakers – to use film to narrate their lives in ways that Western media rarely shares.” Lisa Ulrich, Regional Director, Let’s Get Ready

“The sensitivity of the filmmakers and the courage and determination of the Haitians came through very strongly.” Jack Cole, Co-Founder and former Executive Director, LEAP

 

 

Related Posts:

War is a Racket! by The Department of Homeland Inspiration – featuring the Art Ranger and Michael Sheridan

War is a Racket! by The Department of Homeland Inspiration – featuring the Art Ranger and Michael Sheridan

Art Ranger, along with her colleague Michael Sheridan, review “War is a Racket” by Brigadier General Smedley D. Butler. This highly decorated war hero becomes dogged activist and tours the country giving speeches about how he was in effect, a bully for the corporations, then quit.  Art Ranger and Sheridan share excerpts of the text as well as a piece of their minds. Sonic textures provided by our back up band, The Dirty Pens.

ON THE MEDIA | Disrupting Journalism: How Platforms Have Upended the News, Columbia Journalism Review

ON THE MEDIA | Disrupting Journalism: How Platforms Have Upended the News, Columbia Journalism Review

After decades of shrinking revenues, and an increasing expectation among consumers that journalism should be free, the global media industry has reached a crisis point. As legacy news outlets shut down or lay off staff, misinformation and conspiracy theories run rampant, blurring the line between fantasy and reality. Trust in our institutions of governance continues to decline, fueling an alarming rise in extremism and political violence across previously stable democracies. In the Global South, the impact of journalism’s decline has been even more striking, with the rise of a new generation of autocrats skilled in manipulating the online conversation to suit their consolidation of power.

ON THE MEDIA | Meet the Next Generation of Mexican Filmmakers, Global Press Journal

ON THE MEDIA | Meet the Next Generation of Mexican Filmmakers, Global Press Journal

After the 1994 [Zapatista] uprising, a boom in documentary films focused on indigenous themes and communities — but the overwhelming majority, Sojob says, were made by people from outside the state. Her own interest in storytelling began when, using a camera that her father gave her, she recorded an ongoing land conflict between the people of Chenalhó and the neighboring town of Chalchihuitán. Unless there was some sort of testimony, she realized, no one would know what was happening, “that it was us, ourselves, who had to get out everything that was happening within, from our own context, from our community.”

0 Comments

Submit a Comment

Your email address will not be published. Required fields are marked *