New Immigrant and Refugee Visions – NIRV

Documentary Filmmaking Training, Production and Public Engagement

Front: Abdirahman Abdi, Somalia; Braulio Tellez Vilches, Cuba; Kebrewosen (Kiki) Densamo, Ethiopia. Middle: Sayed Hashimi, Afghanistan; Katsy Rivera Kientz, Puerto Rico; Qin Li, China; Samantha Corsini, Training Asst., Mubarak Muwonge Nsamba, Uganda. Back: Wilson Thelimo Louis, Haiti; Rafael DeLeon, Dominican Republic; Michael Sheridan, Director, Founder & Trainer; Mohammad (Roman) Arifuzzuman, Bangladesh

Introduction 
New Immigrant and Refugee Visions (NIRV) is a messaging project designed to inform US public opinion about the experience of new immigrants and refugees. NIRV will train new immigrants and refugees to produce a series of short non-fiction films that will amplify their stories and perspectives. In the current climate of anti-immigrant sentiment among some US communities, this initiative will produce narratives that focus on the integration challenges faced by immigrants and the contributions they make to our culture, economy and social fabric. Their narratives will be used by organizations nation-wide to stimulate conversations that advance systemic change.

Background

CSFilm trains women and men in underrepresented communities to use documentary filmmaking to reveal their economic and social realities.  Their films are screened internationally to stimulate dialogue informed by local perspectives.

In 2010, Community Supported Film trained 10 Afghans in documentary filmmaking.  The resulting award-winning films were gathered in the collection The Fruit of Our Labor: Afghan Perspectives in Film.  As NPR’sHere and Now” host Robin Young reported: “[CSFilm] put cameras in the hands of Afghans and gave them training to make films about their lives. The result is an unprecedented intimate look at Afghan life with exchanges no outsider has been privy to before.” The Fruit of Our Labor films stimulated dialogue, rethinking and action from town halls to the halls of congress.

CSFilm conducted a similar bottom-up training and production process in Haiti that produced ten remarkable short films, Owning Our Future: Haitian Perspectives in Film. Going beyond disaster reporting, these films capture the experiences and points of view of Haitians – a rarity in the international conversation about what has and has not happened in the long and painful history of Haiti’s economic, social and political development.

Application for NIRV project

New Immigrant and Refugee Issues

We are living in the midst of a global crisis for immigrants and refugees. Pew Research Center reports that “Nearly 1 in 100 people worldwide are now displaced from their homes, the highest share of the world’s population that has been forcibly displaced since the UNHCR began collecting data on displaced persons in 1951.”

With 60 million people displaced in 2015, and the causal conditions worsening, the 21st century is expected to be defined by how we respond to the flow of refugees and immigrants. Despite or because of this humanitarian crisis, the anti-immigrant backlash continues to grow in the U.S. and internationally and is now finding unprecedented support from the current administration. We need to counter xenophobia, racism, NIMBYism and wall building by creating understanding and appreciation for new immigrants and refugees through their voices and visions.

Transforming News and Views through Local Perspectives, TED-x talk by Michael Sheridan, Director, CSFilm

Goals

CSFilm’s vision is driven by the knowledge that democracy, social stability and equitable economic development depend on a well-informed citizenry. The predominance of information about the “other”, however, is still produced by outsiders in a top-down colonial news system guided by self-interest. CSFilm’s mission is to help citizens make responsible decisions about their community, country and world by strengthening their access to local perspectives.

Plan of Implementation

  • Train local new immigrants and refugees in documentary filmmaking: CSFilm and immigrant and refugee support organizations will collaborate on the trainee outreach and selection.   CSFilm works with adults, who have life experience to bring to the storytelling and are positioned to use the learning in their ongoing work. The traditional selection criteria is as follows:

Experience with storytelling from, for example, the theater, poetry, photo, video, radio or print journalism. They do not need previous experience with filmmaking;

A track record of interest in and work on social, economic and cultural development issues;

A plan for how they will use the skills learned to benefit their community and/or professional growth.

  • Produce a collection of lived-reality short films: Each trainee will produce a 5-10 minute film that visualizes their community’s current experience as immigrants or refugees. Their films will use character-driven, situational storytelling to reveal the often inhumane treatment, threats of deportation, stigmatization, obstacles to integration, and economic and social challenges they face as well as stories of the great contributions they bring to our communities and nation.

US Congressional Briefing and Screening of The Fruit of Our Labor. Representative James McGovern (D-MA) shares his gratitude for the opportunity to hear directly from Afghans and emphasizes that “those of us who want to see an end to war are not saying let’s abandon the people of Afghanistan.”

  • Screen, discuss, disseminate and act: A robust public engagement campaign will follow the training and production process and be defined and implemented in collaboration with local, regional and national immigrant and refugee organizations.  This collaborative approach will maximize the initiative’s capacity to influence public opinion and policy on immigrant and refugee issues. The process will also serve to build understanding between often diverse and divided immigrant communities.

Discussion guides for organizers, educators and institutional gatekeepers, including police, employers, and social service providers will be produced to help focus discussions in town halls, classrooms, conferences, government meetings, etc. In addition, the films will be broadcast on the national network of cable access stations and made available to other broadcast and social media networks and the press.

Timeline, 2017-2018

March-June: Outreach and selection of new immigrant and refugee trainees and filmmakers;

July-November: Training and Production;

December-January: Production of educational materials for distribution with the mastered and duplicated films;

January: Launch of public distribution and engagement campaign.

Woods Hole Film Festival, post screening discussion with filmmaker Beth Murphy and journalists Charles Sennott and Sebastian Junge

 

Resources

Thanks to the generous support of many individual donors, CSFilm has raised the $65,000 budget required to implement the training, production and initial public engagement campaign. CSFilm is actively seeking additional funds to fully implement this project and will continue our efforts until the funding goal is reached.

 

 

Intended Impact

  1. Capacity building: New immigrants and refugees trained to use non-fiction storytelling to communicate their community’s development challenges and accomplishments; trainees equipped with employable production skills;
  2. Documentary Stories: Production of 10 documentary films, totaling 60-90 minutes.  A revealing collection of short stories made by women and men from a diversity of ethnic backgrounds and immigrant and refugee experiences.  Their intimate access to the people, situations, challenges and contributions of their communities will make this collection of films unique in its ability to stimulate dialogue and influence opinion about a variety of topics, such as, integration, cross-cultural conflict, resettlement, healthcare and employment.
  3. Public Engagement and Education: Hundreds of immigrant community residents and service providers and thousands of communities nationally are educated, engaged and activated by screenings and dialogues which are supported by educational toolkits;
  4. Distribution: Thousands will be reached via media coverage, online screenings, DVD distribution, and social media.

Conclusion

This initiative will harness the knowledge and outreach capacity of organizations with expertise in documentary filmmaking, communications, the immigrant and refugee experience, national outreach and policy. The goals of NIRV are to advance narratives that counter misinformation and bias, promote an inclusive culture and economy, foster empathy for and ownership of the problems and solutions faced by immigrant and refugee communities and engage people in new thinking, behavior and actions that lead to sustained and systemic change.

Scene from Ghetto Green, Ghetto Clean by Steeve Colin; produced during CSFilm’s documentary filmmaking training, Haiti, 2014