[Ed. 7/21: The last names of Afghan filmmakers and images of those still in the country have been removed due to the increasing insecurity in Afghanistan.] The Killid Group and Community Supported Film hosted a press conference to present the documentary production...
The trainees are in the throws of final project pre-production, research, planning and aesthetic decision making. And, depending on how things are going, they are realizing the strengths and weaknesses of their story intentions. Their final project is a story determined by them but we have established economic development as the theme. A few have had to have the perseverance required by documentary filmmaking to start over with their research and character search as story ideas failed to materialize as hoped.
——————————–
The training has successfully finished its second week - with students editing their first interviews and group conversations. This second week has been about sound and story. The first week we introduced the camera, composition and coverage and students did a...
Four days and 37 interviews later and I have a fresh understanding of the Afghan experience. These candidates were selected from over 60 applicants from throughout the country. We are looking for people with a passion for storytelling, sensitivity to village life and a demonstrated interest in social and economic development. The candidates do not have to have experience with filmmaking. They can be working for example, as print or radio journalists, novelists, poets, photographers or in the theater.
——————————–
The work in Afghanistan has begun. On Wednesday I arrived in Kabul at sunrise with 6 suitcases containing five video production kits and everything else necessary for a five week training course in documentary camerawork and five weeks of production work on Brewing...
In less than one month our five-week intensive training in documentary filmmaking begins in Afghanistan. Production equipment, donated and purchased, is rolling in the door. The passport is stamped, shots are taken and ticket bought for departure on September 13th....
Community Supported Film (CSFilm) amplifies local voices in under- and mis-represented communities so that they can effectively communicate their lived realities through documentary filmmaking.
We believe that if people learn about the world’s challenges from the local perspective they will be better able to demand the right actions from their governments and to support effective humanitarian responses.
Michael Sheridan, Director of CSFilm, on the impact of local perspectives
Excerpt from Haitian filmmaker Bichara Villarson’s Owned and Occupied, part of the Owning Our Future: Haitian Perspectives in Film film collection.
Excerpt from Afghan filmmaker Aqeela’s The Road Above, part of The Fruit of Our Labor: Afghan Perspectives in Film film collection.
These films are made to stimulate dialogue. Here is an excerpt from a New Immigrant and Refugee Visions Screen&Discuss event.
CSFilm wants to help your community tell their stories. Let’s explore how our model of training, filmmaking and public engagement can redefine the public’s understanding of your issues.
Screen&Discuss campaigns inspire new thinking and action among diverse audiences. See documentation from previous events and learn how you can organize your own.
News and views on the people, places and topics of concern to Community Supported Film and our project partners.
Donate and get involved today to support CSFilm’s training, filmmaking and public engagement work.