Updates

Training Concludes with Kabul Screening

Training Concludes with Kabul Screening

Mehdi and Jamal were talking and one said to the other, “I can’t believe it, it’s magic – 10 films in 5 weeks – magic.” The magic has been the great energy, smarts, high spirits and unwavering determination that everyone brought to the work. Please make it all worthwhile and watch the films!
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Editing Final Projects: The final week of the training

Editing Final Projects: The final week of the training

Students are facing their successes and ‘challenges.’ We have helped one another by reviewing each other’s footage and providing fresh perspective. As is often the case, we come back from our shoots exhausted and quite sure that we have nothing with which to construct our intended story. An independent eye and ear can usually see beyond our foggy view.
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Press Conference

[Ed. 7/21: The last names of Afghan filmmakers and images of those still in the country have been removed due to the increasing insecurity in Afghanistan.] The Killid Group and Community Supported Film hosted a press conference to present the documentary production...

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Training Week 3, Final project research and pitch reel production

Training Week 3, Final project research and pitch reel production

The trainees are in the throws of final project pre-production, research, planning and aesthetic decision making. And, depending on how things are going, they are realizing the strengths and weaknesses of their story intentions. Their final project is a story determined by them but we have established economic development as the theme. A few have had to have the perseverance required by documentary filmmaking to start over with their research and character search as story ideas failed to materialize as hoped.
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Training finishes 2nd week

Training finishes 2nd week

The training has successfully finished its second week - with students editing their first interviews and group conversations. This second week has been about sound and story.  The first week we  introduced the camera, composition and coverage and students did a...

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Vision and Mission

Community Supported Film (CSFilm) amplifies local voices in under- and mis-represented communities so that they can effectively communicate their lived realities through documentary filmmaking.

We believe that if people learn about the world’s challenges from the local perspective they will be better able to demand the right actions from their governments and to support effective humanitarian responses.

Michael Sheridan, Director of CSFilm, on the impact of local perspectives

Samples of CSFilm’s Work

Excerpt from Haitian filmmaker Bichara Villarson’s Owned and Occupied, part of the Owning Our Future: Haitian Perspectives in Film film collection.

Excerpt from Afghan filmmaker Aqeela’s The Road Above, part of The Fruit of Our Labor: Afghan Perspectives in Film film collection.

Excerpt from Dominican filmmaker Rafael DeLeon’s She’s an American Child, part of the New Immigrant and Refugee Visions (NIRV) film collection.

These films are made to stimulate dialogue. Here is an excerpt from a New Immigrant and Refugee Visions Screen&Discuss event.

Collaborate and Learn with CSFilm

Collaborate

Collaborate

CSFilm wants to help your community tell their stories. Let’s explore how our model of training, filmmaking and public engagement can redefine the public’s understanding of your issues.

Screen & Discuss

Screen&Discuss

Screen&Discuss campaigns inspire new thinking and action among diverse audiences. See documentation from previous events and learn how you can organize your own.

Issues & analysis

Issues & Analysis

News and views on the people, places and topics of concern to Community Supported Film and our project partners.

Your Support Has Impact!

Donate and get involved today to support CSFilm’s training, filmmaking and public engagement work.

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