Community Supported Film mentioned in magazine article about how arts organizations have weathered the pandemic…
The fiscal damage created by the COVID-19 pandemic has been felt across the globe. Arguably, one of the hardest hit industries is the arts and entertainment world. A year later, the breadth of the damage left in the wake of this crisis is frighteningly beginning to surface.
Source: Northshore Magazine, by How Local Theatres and Museums Have Weathered the Pandemic
Art Ranger, along with her colleague Michael Sheridan, review “War is a Racket” by Brigadier General Smedley D. Butler. This highly decorated war hero becomes dogged activist and tours the country giving speeches about how he was in effect, a bully for the corporations, then quit. Art Ranger and Sheridan share excerpts of the text as well as a piece of their minds. Sonic textures provided by our back up band, The Dirty Pens.
After decades of shrinking revenues, and an increasing expectation among consumers that journalism should be free, the global media industry has reached a crisis point. As legacy news outlets shut down or lay off staff, misinformation and conspiracy theories run rampant, blurring the line between fantasy and reality. Trust in our institutions of governance continues to decline, fueling an alarming rise in extremism and political violence across previously stable democracies. In the Global South, the impact of journalism’s decline has been even more striking, with the rise of a new generation of autocrats skilled in manipulating the online conversation to suit their consolidation of power.
After the 1994 [Zapatista] uprising, a boom in documentary films focused on indigenous themes and communities — but the overwhelming majority, Sojob says, were made by people from outside the state. Her own interest in storytelling began when, using a camera that her father gave her, she recorded an ongoing land conflict between the people of Chenalhó and the neighboring town of Chalchihuitán. Unless there was some sort of testimony, she realized, no one would know what was happening, “that it was us, ourselves, who had to get out everything that was happening within, from our own context, from our community.”
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