Non-Profit Press: Community Supported Film Launches Haitian Perspectives in Film

June 20, 2014

Community Supported Film Launches Haitian Perspectives in Film

Training of Haitians in the production of documentary films to emphasize local experience with the causes of and solutions to the economic and social development challenges faced since the 2010 earthquake

Boston, MA and Port-au-Prince, Haiti – Community Supported Film (CSFilm) announces the launch of its documentary training and filmmaking project – Haitian Perspectives in Film. Using CSFilm’s proven capacity building program, Haitian storytellers will be trained in the production of 10 short films. The films will focus on the causes of and solutions to the economic and social development challenges Haitians have faced since the 2010 earthquake. This project will be a partnership between Community Supported Film, Haitian community media organizations, and Haitian and international NGOs. The Haitian-made short films will be released as a compilation in time for the 5th anniversary of the earthquake in January 2015.

According to award winning Haitian journalist, and CSFilm’s Haitian program coordinator, Ralph Thomassaint Joseph,

“Most of the reporting in Haiti is done by Western journalists, and often about issues pertaining to natural disasters, to poverty. They show the sad face of Haiti. It does not seem to fit their narrative to show the other side of the coin, that there are so many amazing initiatives that are undertaken by Haitians themselves. There are very interesting Haitian entrepreneurs. And of course, there are people in grassroots organizations that are trying to defend the rights of the most vulnerable here in Haiti.”

Aural and visual storytelling is dominant in Haiti where the illiteracy rate is at 47%. Thomassaint says,

“Because Haiti has a high rate of illiteracy, you can bring a lot of information to people through media, radio, and images. We can use this media to educate people so that they take responsibility for the condition of Haiti. My role as a journalist and my duty as a Haitian is to try and organize people via the media so they can be part of the decision-making process to solve our problems.”

View the full article on the NonProfit Press’ website!

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After the 1994 [Zapatista] uprising, a boom in documentary films focused on indigenous themes and communities — but the overwhelming majority, Sojob says, were made by people from outside the state. Her own interest in storytelling began when, using a camera that her father gave her, she recorded an ongoing land conflict between the people of Chenalhó and the neighboring town of Chalchihuitán. Unless there was some sort of testimony, she realized, no one would know what was happening, “that it was us, ourselves, who had to get out everything that was happening within, from our own context, from our community.”

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